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We see the textual metaphor so belovedīy semiologists at work here but, beyond the metaphoricity, a more complex understanding of the term also is visible. In his dictionary, which introduced semiotic concepts to the field of theatre studies, Pavis defines scenography as ‘l’écriture dans l’espace’ (writing in space Pavis 2005 : 314). The publication of Patrice Pavis’sĭictionnaire du théâtre in 1980 is a key orientation point in this process. Of theatre studies as a discipline and especially its theoretical turn in the 1980s. The rediscovery or reinvention of scenography is closely tied to the rise Old terms are still current: set design, Bühnenbild, décor, – a term used more in academic discourse than by the natives themselves: the artists and practitioners. They are both different and complementary ways of looking at and speaking about the same Themselves use are called ‘emic’, and the terms and explanations anthropologists/scientists use to study the nativesĪre designated ‘etic’.
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To understand this data more precisely, we must distinguish between ‘emics’Īnd ‘etics’ – a differentiation used by cultural anthropologists. In its English, French and German variants. Google Ngram Viewer: search results for the term ‘scenography’ Ī search for the term ‘scenography’ in its English, FrenchĪnd German variants in Google’s Ngram Viewer reveals that, despite its ancient provenance from the Greek skénographia, the word did not really catch on until the 1960s. This resource has led, in turn, to a form of computational cultural analysis known as culturomics. Search engine that uses data mining to chart frequencies of words in the text corpus of Google books, currently amounting The Google Books Ngram Viewer is an online We can verify this by drawing on empirical evidence. Research priorities fluctuate, and scenography has been somewhat off the Of the published proceedings, a glance at the contents reveals that a multifaceted understanding of theatrical space was underĭiscussion, of which scenography in the sense of stage design was only one aspect. Although the term ‘scenography’ does not feature in the title Its world congress to the topic of theatrical space in 1977 ( Arnott 1977). This meeting was of some historical significance because it was the firstĬonference on scenography in Munich in forty years, since the International Federation for Theatre Research (IFTR) devoted Struck a chord well beyond the field of stage design within theatre studies and academies of fine arts. In November 2016 and was organized by the editor, Birgit E. The conference from which most of the chapters in this volume are drawn took place in Munich We add value to your event by knowing what is required to achieve your objectives and can provide a complete solution that combines the very best in AV, staging, styling, multimedia and engagement technologies to make your event shine.The subject of this book – scenography – is extremely timelyīecause it is a subject that not only pertains to theatre and performance studies – my own field – but to art Our partnership approach to event production means you benefit from the many years of experience our teams have acquired.
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